WORLDWIDE PRODUCTION AGENCY

FEATURES | LOUIZA VICK · LOUIZA@WP-A.COM  

TV | BRIAN GOLDBERG · BRIAN@WP-A.COM

COMMERCIALS | STEVEN JACOB · STEVEN@WP-A.COM

IMDB · RESUME

With a sensitive eye for detail and an innate sense of visual language, cinematographer Natalie Kingston approaches each project with a thoughtful perspective aimed at evoking deep emotional resonance within the audience. 

Kingston’s work on the Emmy and Golden Globe-winning Apple TV+ crime drama Black Bird earned her a Primetime Emmy for Outstanding Cinematography for a Limited or Anthology Series or Movie. She made history in 2024 as the first woman to take home the win for the category, or any narrative television cinematography category. Her work on Black Bird was also selected to screen in the TV Series Competition at the 2022 Camerimage Film Festival.

In 2023, Kingston’s artistry earned recognition by the ASC with a spot on American Cinematographer’s Rising Stars of Cinematography

Her latest work, the feature film Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write about a Serial Killer, directed by Tolga Karaçelik and starring Steve Buscemi and John Magaro, won the Audience Award at the 2024 Tribeca Film Festival.

Kingston shot Shapeless (Tribeca 2021), director Samantha Aldana’s surreal feature drama, with Film Inquiry praising her exquisite ability to marry on-screen imagery with the protagonist’s self-perception.

Variety described Kingston’s imagery in Lost Bayou (Tribeca 2019) as “relaxed and beautiful,” highlighting its sunlight-dappled stillness and the film’s ability to linger on its unique, atmospheric landscape.

Outside of film and television, Kingston also lenses music videos and commercials. In 2021, she shot Break for Julia Stone ft. St. Vincent, which premiered at SXSW. She has also collaborated with Billie Eilish on the music videos, You Should See Me in a Crown and Bitches Broken Hearts

Kingston’s commercial work includes brands such as Adidas, Powerade, ON, the NFL, No.7, Volvo, and Team USA. In 2019, she photographed Alma Har’el’s Free The Work campaign directed by Amber Grace Johnson, which earned a spotlight at Cannes Lions.

Kingston is a member of the American Society of Cinematographers, The International Cinematographers Guild, and the Television Academy. She lives in Los Angeles with her husband and son.